1. Why are shadows an integral parts of contrast?
- It creates a dramatic effect. People’s attention is automatically drawn to areas of high tonal contrast.
2. How can shadows add to focus?
- The shadows help focus the viewer’s attention by removing detail from the less important parts of the image.
3. How can shadows direct the attention of the viewer? What is another example you could use in your story?
- It directs attention because the shadows have shapes. An example is in the tell tale heart the old man could not see the shadow of the man because it was dark there for he was hidden.
4.How can a long shadow reveal form?
-This often involves the sun, at a low angle to the horizon, casting long shadows across the terrain. Any irregularities in the shape of the subject or terrain will be magnified.
5.What is the best angle of light to show texture?
- This often involves the sun, at a low angle to the horizon, casting shadows across the subject or terrain. The main difference is that the photographer moves in close to emphasize the texture of an object rather that the form.
- It creates a dramatic effect. People’s attention is automatically drawn to areas of high tonal contrast.
2. How can shadows add to focus?
- The shadows help focus the viewer’s attention by removing detail from the less important parts of the image.
3. How can shadows direct the attention of the viewer? What is another example you could use in your story?
- It directs attention because the shadows have shapes. An example is in the tell tale heart the old man could not see the shadow of the man because it was dark there for he was hidden.
4.How can a long shadow reveal form?
-This often involves the sun, at a low angle to the horizon, casting long shadows across the terrain. Any irregularities in the shape of the subject or terrain will be magnified.
5.What is the best angle of light to show texture?
- This often involves the sun, at a low angle to the horizon, casting shadows across the subject or terrain. The main difference is that the photographer moves in close to emphasize the texture of an object rather that the form.